An artistic thriller, a murder mystery that is not only rich in language; but submerges your desires in multicolor buckets and paints the canvas of passion with imagination. Characters are not only sketched but tinted with colors of different emotions, bit by bit. The book is more like deconstructing the elements of painting rather than deciphering the many layers of the unfolding mystery.

Pamuk successfully brings out emotions from not only the living creatures, but the untold story of even the non-livings is beautifully crafted – the journey of a gold coin, the confusion of a tree, the dilemma of a dog- the story gives everyone a chance to bring out ‘the most obnoxious vs. the most amazing’ things of their lives. It is the story of Istanbul, sometime in the late 1590s, the Sultan covertly instructs some artists to work on a book celebrating his life an empire, these artists were no ordinary ones but experts in their respective fields. The unique narration from the perspective of the lifeless objects, create some visuals in your mind whose imprints are strong enough to mark the memory lobes forever i.e. the power of language.

‘I am called Black, I longed for my dearest Shekure for twelve years;
I, Shekure, not quite sure what was I doing in this story;
I am called Butterfly, I was the one who drew the Death and Mia thought I was the murderer;
I am called Stork, I was the one who drew the Tree and Butterfly always envy me as I was more talented without the help from our master;
I am called Olive, I was the one who rendered the Satan and drew the exquisite horse.I am your beloved uncle, I was preparing a book for our Refuge of the World, Our Glorious Sultan before being murdered by one of my apprentices;

One can visualize the artistic voyage of Istanbul’s origin and the dedicated artists. The description of 16th century Istanbul under the rule of the Sultan and people believing in Satan and Allah takes you for an expedition that highlights the nuances related to an autocratic society where Sultan holds the ultimate power and artists are manipulated and dictated by external stimuli. It shows the miniaturist tradition of the Islamic world, the zest of recreating Allah’s creation on paper with perfection.

It highlights the miniaturist tradition that influenced Islam and uses the secluded world of miniaturists that itself is a subject of fascination. The story further explores the different philosophies of the West and the East ‘My Name is Red’ is a perfect example of how romance, history, thriller, and love can be interwoven seamlessly in a plot so intriguing.

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Anushree is a writer and theatre artist. She graduated in bioinformatics but chose to pursue her passion for writing. As a content writer she has contributed articles for Delhi’s oldest city magazine - Delhi Diary, Real Estate website - Realty Myths, Food Panda, and is an active storyteller, narrating stories to the underprivileged kids through Jijivisha Fellowship by Slam Out Loud. she is also the official storyteller for Amar Chitra Katha's initiate to conduct storytelling sessions in different schools. She has also been a keen contributor for the Social media content for a social awareness campaign with SADRAG (Social and Development Research and Action Group). She has worked with eminent theatre groups in Delhi and has acted in Urdu, Punjabi, English, Hindi, and Bengali plays. She has played prominent roles in plays like Dara Shikoh (Directed by M.S Sathyu), Bebe Ka Chamba (Director by Sohaila Kapur), Lady Macbeth's Lipstick (Directed by Niloy Roy). And now she runs her own set-up 'Art Pickles', dedicated to the promotion of art & culture and holds events on topics related to art & culture, like, Music of Satyajit Ray, Existentialism, LGBT & literature, etc.