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Aatmaram Dubey, a renowned widower from Ujjain, Madhya Pradesh, is about to turn 70. As the family prepares for his big birthday, they discover a truth about his adventures in Thailand. Was the vacation solely for sensuous enjoyment, or is there more to the story than meets the eye?

 

Life may be lonely for the elderly, especially when their spouse dies. They are frequently denied pleasures, particularly sexual ones, and are supposed to live a solitary life, preferably dedicated to God. The film attempts to stress this element through Aatmaram Dubey (Gajraj Rao), and that age has nothing to do with a desire for sex. 

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The respected septuagenarian loses his wife after 22 years of devoting his life to her while she suffers from paralysis. When he realizes he may suffer erectile dysfunction (ED) and would be unable to enjoy fleshly pleasures, he chooses to commit suicide. However, a young stranger, Santulan (Divyendu), convinces him that he has a solution for every difficulty.

 

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Thus begins a quest for pleasure that leads Aatmaram to Bangkok with the assistance of Santulan. 

 

The plot is similar to one of the legendary actor’s previous films, Badhai Ho, in which the family believes that old adults should not have children or sex. Because Thai Massage is about physical pleasure, Aatmaram’s activities appear more obscene. In addition to emphasizing his integrity, the film depicts our predisposition to associate respectability with abstention. 

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Even though the premise and thinking are admirable, and filmmaker Mangesh Hadawle expertly portrays the spirit of a peaceful town, Ujjain, and its citizens’ attitude, the picture lacks tautness. The plot gets long-drawn and slow after more than 122 minutes, and it lacks the oddity factor that other films in this genre have. There are a few amusing scenes. Aatmaram’s neighbor overhears him watching a pornographic film since he doesn’t know how to switch off the computer, and his little grandson gets accused. His travel to Bangkok, as well as his conversation with his fellow passenger, will make you laugh. 

 

The film’s second half brings the spectator to Bangkok, which is gorgeously represented — particularly Phuket’s Khao Sok Lake, where Aatmaram goes with a female Russian blogger. The breathtaking setting will leave you speechless. 

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Gajraj amazes once more with his finely honed portrayal in both funny and melancholy parts. Divyendu does well as well, yet his character is undeveloped. He doesn’t come off as a mischievous or sensitive individual, and his purpose to assist Aatmaram is ludicrous. Santulan gives the elderly man a passport, a smartphone, and a female for ‘boom boom,’ but claims it’s a hoax, even though he appears to be promoting the latter. Rajpal Yadav makes a cameo appearance that is meant to be funny, but it falls flat and does not advance the plot in any way.

 

Thai Massage has numerous touching moments, particularly when Aatmaram explains something to his kid or reminisces about his young wife and his encounter with the Russian tourist. While you may appreciate it at times, the film is unimpressive overall.